Prime movers in contemporary applied art.
Soulmates Job Smeets and Nynke Tynagel founded Studio Job in 2000. This studio in the Renaissance spirit is where traditional and modern techniques are combined to produce once-in-a-lifetime objects. In Studio Job, craftsmanship is more important than quantity and extreme designs take precedence over middle-of-the road options. Job Smeets: “We want to build up an oeuvre, not score a few hits.” Nynke Tynagel: “Our work is becoming increasingly expressive and our approach increasingly experimental.”
They started the studio after graduating from the Dutch Design Academy in Eindhoven; in the fifteen years since then, they have developed into the contemporary pioneers of personal expression. Technique, science and ornamental designs come together in Studio Job’s examples of Gesamtkunstwerk.
Job Smeets likes to call their style ‘New Gothic’, with perfectionism and uniqueness as its key features. Nynke Tynagel talks of a symphony orchestra where a cohesive piece of music is created from an abundance of different sounds. For a good twenty-five guilds are represented in Studio Job’s lab, from traditional craftsmen such as sculptors, furniture makers, painters and specialists in casting bronze or making stained-glass windows to modern professionals who are adept with lasers and 3D printing.
Works by Studio Job can be found in more than forty museums around the world. For Lensvelt they designed the Job Office series, stark and brightly colored pieces of furniture (and a lamp), all featuring striking accessories in gold.